*rococo revisited
Palais Lobkowitz
Baroque city palace in Vienna
Sevres Porcelain factory basin at the Wallace collection, 18th century, french
Jean Honoré Fragonard
La Chemise enlevée (vers 1770)  (Musée du Louvre, Paris.)
Charlottenburg Palace, ‘the grey room’ : paintings on the wall by Antoine Watteau.
“Le feu aux poudres” by Jean-Honore Fragonard
Salon de la princesse by MisterPeter! on Flickr.
Pot-pourri gondole
Sèvres porcelain factory (porcelain manufacturer)
1758
Royal Collection © Her Majesty Queen Elizabeth II
This vase owes its name to its (generic) similarity of shape - with upward turning ends - to that of a Venetian gondola. As early as the 1750s the colour was being called in England ‘rose Pompadour’ in honour of Louis XV’s mistress. Later, as a tribute to another of Louis XV’s mistresses, it was called ‘rose Du Barry’, and more rarely ‘rose Trianon’, an allusion to the Petit Trianon built by Louis XV for Madame de Pompadour in the early 1760s.
“The Sea room” at Rydzyna palace, Poland 
Le salon ovale du prince, Hotel de Soubise, Paris 
Anton Raphael Mengs (1728–1779) 
Portrait of Maria Luisa of Spain (1745-1792),  1764/1765
[detail of the dress]
Jean Honoré Fragonard, 
La Chemise enlevée (vers 1770). Peinture à l’huile  (Musée du Louvre, Paris.)
Naturalistic Sensuous Lines: from Rococo to Art Nouveau

The essence of Art Nouveau style (1895-1910) is described by naturalistic sensuous lines derived from vegetal curves and willow leaves, subtle light, feminine figures and curly hair, fluent dresses and attitudes, twisting waves and evanescent smoke, but also by controlled lines, geometric details, colorful new shapes.

Also Art Nouveau was inspired by the idea of “total art”.

These characteristics are also seen in the essence of Rococo style. Some critics interpret the Art Nouveau style as a turn-of-the-centnry reinvention of the Rococo.

The movement’s inspiration was pastoral and earthly by nature. Art Nouveau shares the naturalism with Rococo in different dimensions.

Generally said, Naturalism in art refers to the depiction of realistic objects in a natural setting. In this context, Naturalism began in the early Renaissance, and developed itself further throughout the Renaissance, such as with the Florentine School.

Naturalism , Organic Architecture and Expressionism are generic terms for Art Nouveau of which styles overlap one another and were often only a stage in an architect’s/ artist’s working span.

The First World War (1914-1918) marked the end of the Art Nouveau style.

The world had changed and with it the mentalities.

The elegance, sensuality, flamboyance of Art Nouveau was going to be substituted by more rational styles as Art Deco and Bauhaus all influenced by one of the major cultural and artistic movements of the 20th-century.

Sensual lines in Rococo style symbolize Grace, in Art Nouveau Emotion.
“Le dejeuner Anglais”, the English breakfast

engraving after Nicolas Lavreince 
Date 1785
Rococo  silver-gilt leaf shaped teaspoons,  by Huguenot silversmiths. Probably Paul de Lamerie workshop in mid-1730s: the techniques required to cast these delicate and complicated forms were distinctive and far beyond the average skills of English silversmiths at that time. 
Manufacture royale de Vincennes, Bouquet de fleurs dans une jardiniere, porcelaine tendre, vers 1752, MNC